This photograph shows the Blue Room of the White House as it appeared following a renovation project by First Lady Pat Nixon in 1972. Mrs. Nixon was assisted by White House Curator Clement E. Conger and design consultant Edward Vason Jones. The refurbished Blue Room’s style was inspired by the French Bellangé suite of furniture President James Monroe purchased for the room in 1817. The walls were covered with beige wallpaper, featuring an upper frieze with a flower and bowl design, and a lower border of pink flowers, cupids, and Greek figures. Blue curtains hung the length of the room. The room also included a new oval plaster design in the center of the ceiling completed by Herbert John Millard, a wood carver from Roswell, Georgia.

In this photograph, taken on May 15, 1972, First Lady Pat Nixon beams proudly beside an early 19th-century marble mantel in the newly renovated Blue Room. Mrs. Nixon was assisted in her restoration project by White House Curator Clement E. Conger and design consultant Edward Vason Jones. The refurbished Blue Room’s style was inspired by the French Bellangé suite of furniture President James Monroe purchased for the room in 1817. The walls were covered with beige wallpaper, featuring an upper frieze with a flower and bowl design, and a lower border of pink flowers, cupids, and Greek figures. Blue curtains hung the length of the room. The room also included a new oval plaster design in the center of the ceiling completed by Herbert John Millard, a wood carver from Roswell, Georgia.

This photograph shows the Blue Room of the White House as it appeared following a renovation project by First Lady Pat Nixon in 1972. Mrs. Nixon was assisted by White House Curator Clement E. Conger and design consultant Edward Vason Jones. The refurbished Blue Room’s style was inspired by the French Bellangé suite of furniture President James Monroe purchased for the room in 1817. The walls were covered with beige wallpaper, featuring an upper frieze with a flower and bowl design, and a lower border of pink flowers, cupids, and Greek figures. Blue curtains hung the length of the room. The room also included a new oval plaster design in the center of the ceiling completed by Herbert John Millard, a wood carver from Roswell, Georgia.

This invitation was created for guests of a reception held by President Richard M. Nixon and First Lady Pat Nixon on May 15, 1972, on the occasion of the reopening of the Blue Room of the White House. The Blue Room had been closed since February 23, 1972, for a major refurbishment project. Mrs. Nixon spearheaded the project, and was assisted in the execution by White House Curator Clement E. Conger and design consultant Edward Vason Jones. As first lady, Mrs. Nixon also oversaw the refurbishment of eight additional rooms, as well as major renovations to the Map and China Rooms. To view the alternate side of the invitation, see 1123269.

This invitation was created for guests of a reception held by President Richard M. Nixon and First Lady Pat Nixon on May 15, 1972, on the occasion of the reopening of the Blue Room of the White House. The Blue Room had been closed since February 19, 1972, for a refurbishment project. Mrs. Nixon spearheaded the project, and was assisted in the execution by White House Curator Clement E. Conger and design consultant Edward Vason Jones. As first lady, Mrs. Nixon also oversaw the refurbishment of eight additional rooms, as well as major renovations to the Map and China Rooms. To view the alternate side of the invitation, see 1123270.

This photograph shows the Blue Room of the White House as it appeared following a renovation project by First Lady Pat Nixon in 1972. Mrs. Nixon was assisted by White House Curator Clement E. Conger and design consultant Edward Vason Jones. The refurbished Blue Room’s style was inspired by the French Bellangé suite of furniture President James Monroe purchased for the room in 1817. The walls were covered with beige wallpaper, featuring an upper frieze with a flower and bowl design, and a lower border of pink flowers, cupids, and Greek figures. Blue curtains hung the length of the room. The room also included a new oval plaster design in the center of the ceiling completed by Herbert John Millard, a wood carver from Roswell, Georgia.