• Emigrant Scene
    W. H. Powell
    American Indians
    painting
    This painting is attributed to William Henry Powell (sometimes known as W.H. Powell), who was a New York City painter and trained under Henry Inman. The painting depicts a group of settlers and their horses around a covered wagon. An American Indian man is in the center of the group and pointing off into the distance, suggesting he is providing directions to the seated figure looking at a map. Powell's "Discovery of the Mississippi by De Soto A.D. 1541" hangs in the United States Capitol Rotunda.
  • Jane Irwin Harrison
    Unknown
    portrait
    painting
    This portrait of Jane Irwin Harrison by an unknown artist was completed c. 1841–42. Jane Findlay Irwin Harrison served as the official White House hostess briefly in 1841, during father-in-law President William Henry Harrison’s administration. She had lived with her in-laws following the death of her husband, William Henry Harrison Jr., and accompanied the president-elect to Washington, D.C. There, she received glowing reviews for the two receptions that she hosted with the help of her aunt, Jane Irwin Findlay. Her time as de-facto first lady was cut short, however, when President Harrison died on April 4, 1841, after only a month in office. With flowers placed at each ear and a veil pulled back from her face, this portrait was probably made to celebrate Jane Harrison’s second marriage, to widower Lewis Whiteman, following her return to North Bend, Ohio. Just a few years later, she succumbed to tuberculosis at age 42.
  • Anna Tuthill Symmes Harrison
    Unknown
    portrait
    painting
    This is a portrait of First Lady Anna Tuthill Symmes Harrison, dressed in mourning was painted by an unknown artist, ca. 1820. Anna Tuthill Symmes Harrison was married to President William Henry Harrison and was the grandmother of President Benjamin Harrison. Mrs. Harrison was 65 years old when her husband was elected president making her, at the time, the oldest woman to become first lady. When President Harrison was inaugurated in March of 1841, Mrs. Harrison remained in Ohio due to poor health. She had temporarily placed her widowed daughter-in-law Jane Irwin Harrison in charge of being the hostess. Mrs. Harrison did not recover in time to reside in the White House before President Harrison passed away a month after his inauguration.
  • Maison du Commodore Stephen Decatur, Washington, June 1822
    E. Vaile
    Washington, D.C.
    Decatur House
    painting
    This painting of Decaur House was created by E. Vaile in June 1822. A man stands at the door, as a carriage approaches. Completed in 1818, Decatur House was the third building on Lafayette Square and its first private residence. Decatur House was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur and his wife, Susan. Tragically, in 1820 Stephen Decatur was mortally wounded during a duel and his widow Susan subsequently rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into co-stewardship arrangement and the house now serves as the David M. Rubenstein National Center for White House History.
  • "Resurrection" in the Vermeil Room
    Matthew D’Agostino
    winter holidays
    painting
    decorations
    abstract art
    Vermeil Room
    Ground Floor
    Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.
  • "Resurrection" in the Vermeil Room
    Matthew D’Agostino
    winter holidays
    painting
    decorations
    abstract art
    Vermeil Room
    Ground Floor
    Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.
  • "Resurrection" in the Vermeil Room
    Matthew D’Agostino
    winter holidays
    painting
    decorations
    abstract art
    Vermeil Room
    Ground Floor
    Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.
  • Kakemono Panel: A Pheasant in Flowering Branches
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a pheasant among flowering branches. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Kakemono Panel: Woman Holding a Parasol
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding a parasol during a gentle snowfall. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Kakemono Panel: Woman With A Shamisen
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding the three-stringed instrument or shamisen. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Kakemono Panel: A Pair of Cranes Under A Crabapple Tree
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts two cranes beneath a crabapple tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Kakemono Panel: Woman in A Snowstorm
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman braving a snowstorm. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Kakemono Panels: Man With Swords
    Utagawa Kunitsuru
    painting
    Decatur House
    textiles
    This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a man with swords near a flowering tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.
  • Horses Quenching Their Thirst, Camels Disdaining, Decatur House Collection
    Ernest E. de F. Narjot
    painting
    Decatur House
    This oil on canvas painting of the U.S. Camel Corps was completed by Ernest E. de F. Narjot in 1867. The painting depicts horses drinking eagerly with camels in the background. The painting highlights the usefulness of camels as back animals in the American southwest during military operations and had been championed by Gen. Edward Beale. Beale was a western adventurer naval officer, explorer, frontiersman, superintendent of Indian affairs, California rancher, and later a diplomat. Beale would help form the U.S. Camel Corp and the experiment lasted from 1856-1866. This painting commemorates the corps and is part of the Decatur House Collection. The Decatur House, which is also home to the David M. Rubenstein National Center for White House History, was completed in 1818. It was the third building on Lafayette Square and its first private residence. It was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur (1779-1820) and his wife, Susan Wheeler Decatur. Tragically, on March 22, 1820 Stephen Decatur was mortally wounded during a duel. After his death, his widow Susan Decatur rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into a co-stewardship arrangement of Decatur House.
  • Three-Master American Barque
    W. J. Bennett
    seascapes
    ships
    painting
    This seascape of a three-masted American ship, or barque, is attributed to W.J. Bennett, also known as William James Bennett. Dark clouds, high seas, and full sails suggest a stormy day as the ship navigates around a number of smaller vessels. Bennett was a British-born painter active in America and was a member of the National Academy of Design in New York City.
  • The Avenue in the Rain
    Childe Hassam
    New York
    Impressionism
    flags
    painting
    New York City
    This painting of American flags on Fifth Avenue in Manhattan is by one of the most prominent American Impressionists of the early 20th century, Frederick Childe Hassam (known to many as Childe Hassam). The painting depicts both flags hanging on Fifth Avenue as well as reflections of the flags in water following a rainstorm. The Avenue in the Rain is one of 30 flag paintings of his that coincided with World War I. Fifth Avenue in New York City was frequently decorated with American flags at the time, as the United States debated entry into the war. This piece was completed in February of 1917, barely two months before Congress declared war on Germany on April 6th. Six Hassam pieces are in the White House Collection.
  • Hands Up! -- The Capture of Finnigan
    Frederic Remington
    painting
    This oil painting of an Old American West cowboy scene is by Frederic Remington. Remington, often referred to as Frederic Sackrider Remington, was a prolific painter of the American West and he focused primarily on subjects such as cowboys, American Indians, and the military. The painting is based on an account in future president Theodore Roosevelt's 1888 book Ranch Life and the Hunting Trail about his successful pursuit and capture of three thieves who had cut his boat loose from its mooring and taken it down the Little Missouri River. Remington and Roosevelt became close friends during this period. Three Remington pieces are in the White House Collection.
  • The Declaration of Independence of the United States of America, July 4, 1776
    Charles-Edouard Armand-Dumaresq
    Philadelphia
    Pennsylvania
    Declaration of Independence
    American Revolution
    painting
    This painting of the signing of the Declaration of Independence on July 4, 1776 is by artist Charles-Edouard Armand-Dumaresq. Also in the White House Collection is a sketch that may be a draft by the artist for this work. The painting depicts the delegates actively debating and voting on the Declaration. Armand-Dumaresq was a French painter who visited the United States in the 1870s.
  • Street Scene in Winter (Snowstorm, New York)
    Childe Hassam
    snow
    New York
    New York City
    Impressionism
    painting
    This landscape painting is by noted American Impressionist Frederick Childe Hassam (often referred to as Childe Hassam). It shows a snow-covered New York street. The central figure appears to be a young boy slogging his way through the storm. Six Hassam pieces are in the White House Collection.
  • The Capitol at Night
    Colin Campbell Cooper, Jr.
    watercolor
    painting
    Washington, D.C.
    U.S. Capitol
    Impressionism
    This is a watercolor painting of the Capitol Building at night by Colin Campbell Cooper, Jr. The painting depicts the United States Capitol building in Washington, D.C. from a distance at night, with a carriage pulled up to the steps visible beyond the trees. Cooper was an American Impressionist who is most renowned for his architectural paintings, though he also painted portraits, interiors, florals, and landscapes. Cooper and his wife were aboard the RMS Carpathia while it conducted its April 1912 rescue mission of survivors of the sinking of the RMS Titanic. Cooper has two paintings in the White House Collection.
  • U.S.S. Galena
    Antonio N. G. Jacobsen
    seascapes
    ships
    painting
    This oil painting by Antonio Nicolo Gaspara Jacobsen is of the USS Galena. There have been three ships in the history of the United States named Galena. This painting represents the second, a wooden steamer built and launched in 1879. She was the flagship of Rear Admiral Pierce Crosby between October 1882 and January 1883 and was decommissioned in 1890. Jacobsen was born in Denmark and immigrated to the United States in 1873. A prolific painter of ships and other maritime views, he was known as the "Audubon of Steam Vessels."
  • Gypsy Girl with Flowers
    Robert Henri
    Ashcan School
    flowers
    painting
    portraits
    This painting was done by American artist Robert Henri. Henri painted the little girl named Patience, while vacationing with Henri and his wife, Marjorie, joined George Bellows and his family for the summer in Ogunquit, Maine. She poses with flowers behind her, and her large, dark eyes stand out above her light gown, while her dark hair melds into the forest green background. Henri was a leading figure in the Ashcan school of realism and an influential teacher of art.
  • Red Roses and Green Leaves
    Martin Johnson Heade
    flowers
    Hudson River School
    painting
    still lifes
    This still life done was done by Martin Johnson Heade around 1903. The painting reveals the fine details of a small bouquet of roses, complete with many layers of petals and the sharp tips of thorns, resting atop a light tablecloth. Heade was an American artist who moved from portrait painting to landscapes during his career, including a number of marine paintings made in Florida. Two of his landscapes are also in the White House Collection.
  • Under the Palisades, in October
    Jasper Francis Cropsey
    Hudson River School
    landscapes
    painting
    This landscape is by Jasper Francis Cropsey, an American painter associated with the Hudson River School. This striking landscape is almost split between the darker cliff face, which is covered in trees whose leaves are turning, and the lighter left side of the sky and the quiet Hudson River, with a handful of boats visible on the water. Five of Cropsey's paintings are in the White House Collection.
  • The Farm Landing
    Edward Mitchell Bannister
    landscapes
    painting
    This painting of a private boat dock is by Edward Mitchell Bannister, one of the few paintings of this era by a person of color in the White House Collection. Bannister was originally Canadian and moved to the United States. Like James McNeil Whistler, Bannister was a Tonalist painter known for landscapes. This painting emphasizes different hues of green surrounding the small rowboat tied to a rustic dock that lies alongside a pasture.