This elevation drawing was created by Benjamin Henry Latrobe in 1807. The architectural drawing shows an east view of the White House, with guests entering and departing the house from the proposed North and South Porticos. The North and South Porticos were not part of James Hoban's original 1792 design for the White House. Although this drawing anticipates the prominent use of columns on the North Portico (completed ca. 1829-1820) and South Portico (completed 1824), it does not reflect the appearance of the North and South Porticos as they were constructed.

This painting is attributed to William Henry Powell (sometimes known as W.H. Powell), who was a New York City painter and trained under Henry Inman. The painting depicts a group of settlers and their horses around a covered wagon. An American Indian man is in the center of the group and pointing off into the distance, suggesting he is providing directions to the seated figure looking at a map. Powell's "Discovery of the Mississippi by De Soto A.D. 1541" hangs in the United States Capitol Rotunda.

This photograph is of Mary Elizabeth "Betty" Taylor's portrait. She was the youngest daughter of President Zachary Taylor. Betty served as White House hostess in place of her mother, Margaret Mackall Smith Taylor, who was reluctant to go into society and plagued by ill health during her time as the first lady. At the time of her father's presidency, Betty was formally known as Mary Elizabeth Taylor Bliss but was later known as Mary Elizabeth Taylor Dandridge after the death of her first husband and her subsequent remarriage.

This portrait of Jane Irwin Harrison by an unknown artist was completed c. 1841–42. Jane Findlay Irwin Harrison served as the official White House hostess briefly in 1841, during father-in-law President William Henry Harrison’s administration. She had lived with her in-laws following the death of her husband, William Henry Harrison Jr., and accompanied the president-elect to Washington, D.C. There, she received glowing reviews for the two receptions that she hosted with the help of her aunt, Jane Irwin Findlay. Her time as de-facto first lady was cut short, however, when President Harrison died on April 4, 1841, after only a month in office. With flowers placed at each ear and a veil pulled back from her face, this portrait was probably made to celebrate Jane Harrison’s second marriage, to widower Lewis Whiteman, following her return to North Bend, Ohio. Just a few years later, she succumbed to tuberculosis at age 42.

This is a portrait of First Lady Anna Tuthill Symmes Harrison, dressed in mourning was painted by an unknown artist, ca. 1820. Anna Tuthill Symmes Harrison was married to President William Henry Harrison and was the grandmother of President Benjamin Harrison. Mrs. Harrison was 65 years old when her husband was elected president making her, at the time, the oldest woman to become first lady. When President Harrison was inaugurated in March of 1841, Mrs. Harrison remained in Ohio due to poor health. She had temporarily placed her widowed daughter-in-law Jane Irwin Harrison in charge of being the hostess. Mrs. Harrison did not recover in time to reside in the White House before President Harrison passed away a month after his inauguration.

This photograph of a pier table by Parisian cabinetmaker Pierre-Antoine Bellangé was taken by Robert L. Knudsen on April 7, 1961 in a storage area within the White House. The table was missing its marble top and glass mirror. It was restored to the French Empire style and moved to the Blue Room during the restoration of the White House overseen by First Lady Jacqueline Kennedy. The table formed part of a suite ordered for the Blue Room by President James Monroe in 1817.

This painting of Decaur House was created by E. Vaile in June 1822. A man stands at the door, as a carriage approaches. Completed in 1818, Decatur House was the third building on Lafayette Square and its first private residence. Decatur House was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur and his wife, Susan. Tragically, in 1820 Stephen Decatur was mortally wounded during a duel and his widow Susan subsequently rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into co-stewardship arrangement and the house now serves as the David M. Rubenstein National Center for White House History.

This wall clock was custom made by the Chelsea Clock Company of Chelsea, Massachusetts in 2020 and was a gift of the White House Historical Association to the White House Collection. The clock hangs in the Ground Floor Corridor of the White House above the doorway leading to the president’s elevator. The face of the clock features an eagle on the upper half that was inspired by the James Monroe state service. White House calligraphers did the hand-lettering and numbering on the dial including the inscription “The President’s House” on the lower half of the clock’s face.

This is the intricately designed trompe-l’oeil marble top of a guéridon, or small table, made by Charles Honoré Lannuier circa 1810. This guéridon (small, circular French table) is made of mahogany, satinwood, rosewood, and possibly sycamore veneers, with gilded brass and marble. The table, a part of the White House Collection, also features an intricate Italian marble top and is considered a Lannuier masterpiece.

This glassware was part of a set ordered by President John F. Kennedy and First Lady Jacqueline Kennedy in 1961 from the Morgantown Glassware Guild of Morgantown, West Virginia. The purchase of the elegant, simple set ended a long tradition of engraved glassware at the White House. The glassware became widely popular as many Americans purchased the same set for their households.

This wallpaper manufactured by Scalamandré of New York was in the Empire Room during the John F. Kennedy administration. The Empire Room is one of the guest bedrooms on the Third Floor of the White House. The red and white print is a contemporary version of the French early 19th-century Toile De Jouy pattern. This pattern, originally entitled "Hommage à Franklin," depicts scenes from the life and career of Benjamin Franklin and is partially based on a drawing in the White House Collection called "The Genius of Franklin" by French artist Jean-Honore Fragonard.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a pheasant among flowering branches. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding a parasol during a gentle snowfall. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding the three-stringed instrument or shamisen. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.