This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a pheasant among flowering branches. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding a parasol during a gentle snowfall. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding the three-stringed instrument or shamisen. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts two cranes beneath a crabapple tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman braving a snowstorm. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a man with swords near a flowering tree. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This oil on canvas painting of the U.S. Camel Corps was completed by Ernest E. de F. Narjot in 1867. The painting depicts horses drinking eagerly with camels in the background. The painting highlights the usefulness of camels as back animals in the American southwest during military operations and had been championed by Gen. Edward Beale. Beale was a western adventurer naval officer, explorer, frontiersman, superintendent of Indian affairs, California rancher, and later a diplomat. Beale would help form the U.S. Camel Corp and the experiment lasted from 1856-1866. This painting commemorates the corps and is part of the Decatur House Collection. The Decatur House, which is also home to the David M. Rubenstein National Center for White House History, was completed in 1818. It was the third building on Lafayette Square and its first private residence. It was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur (1779-1820) and his wife, Susan Wheeler Decatur. Tragically, on March 22, 1820 Stephen Decatur was mortally wounded during a duel. After his death, his widow Susan Decatur rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into a co-stewardship arrangement of Decatur House.

This marble bust of President George Washington is by Italian sculptor Giuseppe Ceracchi. Ceracchi sculpted many notable Americans, including Thomas Jefferson and Alexander Hamilton. This bust was modeled circa 1790-1794 and was carved circa 1815. The United States government acquired the bust along with busts of Amerigo Vespucci and Christopher Columbus during the James Monroe administration in 1817. Washington served as the commander in chief of the Continental Army during the American Revolution. He served as president from April 30, 1789 until March 4, 1797. Bates Littlehales photographed the bust in March 1962 during the John F. Kennedy administration.

This marble bust of President George Washington is by Italian sculptor Giuseppe Ceracchi. Ceracchi sculpted many notable Americans, including Thomas Jefferson and Alexander Hamilton. This bust was modeled circa 1790-1794 and was carved circa 1815. The United States government acquired the bust along with busts of Amerigo Vespucci and Christopher Columbus during the James Monroe administration in 1817. Washington served as the commander in chief of the Continental Army during the American Revolution. He served as president from April 30, 1789 until March 4, 1797. Bates Littlehales photographed the bust in March 1962 during the John F. Kennedy administration.

This is a watercolor painting of the Capitol Building at night by Colin Campbell Cooper, Jr. The painting depicts the United States Capitol building in Washington, D.C. from a distance at night, with a carriage pulled up to the steps visible beyond the trees. Cooper was an American Impressionist who is most renowned for his architectural paintings, though he also painted portraits, interiors, florals, and landscapes. Cooper and his wife were aboard the RMS Carpathia while it conducted its April 1912 rescue mission of survivors of the sinking of the RMS Titanic. Cooper has two paintings in the White House Collection.

This watercolor painting is by Walter Paris. The wide canvas captures the width of Pennsylvania Avenue looking toward the Capitol building, visible in the distance. Born in Britain, Paris became an American citizen later in life. He was trained as an architect in addition to creating watercolors. Two of his paintings of Washington, D.C. are in the White House Collection.

This watercolor was painted by Walter Paris. The vertical scene shows the West Front of the U.S. Capitol from the walkway into the Botanical Garden, then located on the west end of the Mall. Paris was born in Britain in 1842 and moved to the United States in 1872, later becoming an American citizen. Trained as an architect, he also painted numerous watercolors of landscapes and city scenes, including several of Washington, D.C. where he lived from 1890 until his death in 1906.

This is a watercolor painting of a flower created by First Lady Caroline Scott Harrison. This piece, along with other drawings and watercolors in her collection, display her talent at depicting flower and nature scenes.

This is a watercolor painting of a flower created by First Lady Caroline Scott Harrison. This piece, along with other drawings and watercolors in her collection, display her talent at depicting flower and nature scenes.

This is a watercolor painting of a bird's nest created by First Lady Caroline Scott Harrison. This piece, along with other drawings and watercolors in her collection, display her talent at depicting flower and nature scenes.

This is a porcelain plate decorated with a painting of a sandpiper and a poem by Henry Wadsworth Longfellow painted by First Lady Caroline Scott Harrison. The plate was painted while she served as first lady during her husband Benjamin Harrison's administration. This plate is in the collection of the Benjamin Harrison Presidential Site.

This is a watercolor painting of a flower created by First Lady Caroline Scott Harrison. This piece, along with other drawings and watercolors in her collection, display her talent at depicting flower and nature scenes.

This is a hand-drawn sketch of Benjamin Harrison McKee, affectionately known as "Baby McKee." The drawing was done by Baby McKee's grandmother, First Lady Caroline Scott Harrison. Mrs. Harrison did not sketch often, but her grandson was the subject of some of her sketches. Mrs. Harrison captioned this sketch "Purity in the President's Chair."

This is a watercolor painting of a rose created by First Lady Caroline Scott Harrison. This piece, along with other drawings and watercolors in her collection, display her talent at depicting flower and nature scenes.

This is a porcelain plate purchased and then painted by First Lady Caroline Scott Harrison. She purchased blank porcelain plates to paint decorations on, such as the pansies seen on this plate. Mrs. Harrison was known for giving these pieces as gifts to friends and family.

This image shows a close up of First Lady Caroline Scott Harrison's monogram on a teapot she decorated herself. The letters read "CSH" which were her initials. One of Mrs. Harrison's hobbies was to paint china pieces by hand.

This is a porcelain plate purchased by First Lady Caroline Scott Harrison. Mrs. Harrison purchased blank porcelain plates to paint decorations on, such as the irises seen on this plate. Mrs. Harrison was known for giving these pieces as gifts to friends and family. She also put these pieces up for charity auctions as well.

This is a porcelain plate purchased by First Lady Caroline Scott Harrison. Mrs. Harrison purchased blank porcelain plates to paint decorations on, such as the nasturtiums seen on this plate. Mrs. Harrison was known for giving these pieces as gifts to friends and family. She also put these pieces up for charity auctions as well.

This image shows a tray with an orchid painting on it and the matching tea set hand decorated by First Lady Caroline Scott Harrison. The orchid painted on the tray and tea set are similar to a watercolor painting that Mrs. Harrison had completed earlier. This set shows that Mrs. Harrison used the watercolor paintings to decorate her china pieces.

This is a chocolate pot that First Lady Caroline Scott Harrison hand-painted for her friend Ethel Johnson Hurty. It was a common practice for Mrs. Harrison to buy blank china pieces and hand-paint decorations on them to give to friends and family as gifts. She also put these pieces up for charity auctions as well.