This glass locket containing the hair of President Thomas Jefferson and his daughter Martha was acquired for the White House Collection in 1975 during the Gerald R. Ford presidency. The locket is attributed to Fossin et Fils, a prestigious Paris jewelry company that provided goods to King Louis-Philippe of France (1830–1848) as well as other European heads of state, and was produced circa 1825 to 1868.

This punch bowl was created by Tiffany and Company in 1874. The punch bowl features an intricate and realistic design of pine needles with eagle's heads and talons around the brim of the bowl. The design of the punch bowl is attributed to James H. Whitehouse and Eugene Soligny is attributed with the modeling and chasing. An "M" stamp at the bottom of the bowl indicates the bowl was made under the leadership of Edward C. Moore during his tenure at Tiffany and Company. This piece was donated to the White House Collection in 2005 during the George W. Bush administration.

This bergère by Pierre-Antoine Bellangé of Paris is part of a 53-piece gilded beechwood suite ordered for the Oval Room (later called the Blue Room) by President James Monroe in 1817. A bergère is an armchair with upholstered and enclosed sides. The bergère is one of two made for the president and first lady. The bergère was photographed by Bruce White in the Blue Room of the White House.

This carved and gilded beechwood pier table is of the French Empire style and was manufactured by Pierre-Antoine Bellange of Paris. This table is the only piece of the 53-piece Bellange suite purchased by President James Monroe that has always remained in the White House.

This selection of the 200th anniversary china was made by Lenox China of Trenton, New Jersey. President Bill Clinton and First Lady Hillary Clinton selected a state service with this design to celebrate the White House's 200th anniversary in 2000. Features in the photo from left to right across the back are a dessert plate, dinner plate, service late, fish plate and a salad plate. In front left to right are a cream soup cup and saucer, a teacup and its accompanying saucer.

This tapered form work table is one of only four known nearly identical tables (a second is also present in the White House). Here it is shown with all its drawers and compartments open. Its form and complexity attribute the work to Duncan Phyfe of New York. This desk was made for a variety of tasks including: writing, sewing, or miniature painting. Phyfe was born in Scotland and emigrated to New York in 1784. He became one of the premiere cabinet makers in the United States during the first half of the 19th century, known for blending the previous English Neoclassical and Regency styles together in a distinctive way. Phyfe benefited from his location in New York City on Fulton Street, where he was able to ship his furniture out to the southern States and the rich cotton magnates there, as well as to international ports. The table was a gift of the Richard King Mellon Foundation to the White House in 1971.

This scrolled-back armchair was created by A. H. Davenport in 1902 during the Theodore Roosevelt administration. The armchair is one of six chairs ordered for the Green Room of the White House. The seats and backs were upholstered in tapestry fabric, making them the most expensive type of armchairs in the Green Room. The chairs were originally painted white but were later gilded in the 1930s.

This tall case clock by E. Howard Watch and Clock Company of Boston, Massachusetts was purchased for the White House in 1882 during the Chester A. Arthur administration. The clock was originally placed in the Cross Hall on the State Floor of the White House, where it remained until the 1930s when it was moved around to a number of rooms on the Ground Floor until 2003. President Arthur added a number of furnishings to the White House during his time office, though this clock was one of the few items to survive the 1902 White House renovation.

This silver sugar bowl, hot water urn, and kettle on a stand were part of a 12-piece service made for President Millard Fillmore and his wife, First Lady Abigail Fillmore, by the renowned New York firm Wood & Hughes. They purchased the service, which is engraved with their names, circa 1858, after Fillmore left office. Mrs. Fillmore used the proceeds from the sale of a horse and carriage in 1850 to purchase the set. The urn was acquired for the White House by the White House Historical Association in 1973.

These French porcelain serving pieces, including a dinner dish, vegetable dish, soup plate, dessert stand, fruit basket, and dessert plate, were made for the White House by Edouard D. Honoré of Paris in 1846. President James K. Polk ordered this pattern for the state service. The pieces feature gilded rims molded in a scroll design and light green details, as well as a version of the shield from the Great Seal of the United States, although this one contains stars in the chief which are not present on the Great Seal or Presidential Seal, and the scroll containing the motto "E Pluribus Unum." The dessert plates also included a large, hand-painted flower.

This silver wine cooler was made by French silversmith Jean-Baptiste-Claude Odiot between 1798 and 1809. James Monroe, who served as president from 1817 to 1825, owned the wine cooler, and later sold it to the government for use at the White House. The wine cooler is engraved with the words "President's House" and features sculptural elements, a hallmark of Odiot's work.

This gilded bronze and mirrored plateau or centerpiece was made by the Parisian firm Denière et Matelin circa 1817, during James Monroe's presidency. Elements of the plateau may have been based on designs by the famed French architects Charles Percier and Pierre Fontaine, who completed many commissions for Napoleon. Visitors marveled over the elegant piece, shown here in the White House State Dining Room.

This walnut, brass, and ivory medicine chest was taken from the White House during the fire of August 24, 1814 and given to President Franklin D. Roosevelt by a descendant of Thomas Kains, a British naval officer who was part of the party that burned the White House down during the Invasion of Washington during the War of 1812. Bruce White photographed the medicine chest opened in 2023. To see the chest closed, see asset ID 1137880.

This walnut, brass, and ivory medicine chest was taken from the White House during the fire of August 24, 1814 and given to President Franklin D. Roosevelt by a descendant of Thomas Kains, a British naval officer who was part of the party that burned the White House down during the Invasion of Washington during the War of 1812. Bruce White photographed the medicine chest closed in 2023. To see the chest opened, see asset ID 1137879.

This miniature watercolor on ivory portrait of William Thornton was created by Robert Field circa 1800. Dr. William Thornton was born in the British West Indies in 1759 and gained U.S. citizenship in 1787. Thornton moved to Washington, D.C. after President George Washington chose his design for the U.S. Capitol building and appointed him a city commissioner. Considered the "first architect of the Capitol," Thornton held the role of head of the Patent Office from 1802 until his death in 1828. William Thornton and the creator, Robert Field, were acquaintances. This portrait is a part of the White House Collection.

This composite features pieces from the White House Collection. This image was featured in the exhibition entitled "Slavery and Freedom in the White House Collection". It may only be used for press and publicity purposes related to the exhibit. All other uses must be approved by the White House Historical Association in writing.

This composite features pieces from the White House Collection. This image was featured in the exhibition entitled "Slavery and Freedom in the White House Collection". It may only be used for press and publicity purposes related to the exhibit. All other uses must be approved by the White House Historical Association in writing.

This map showing the plan for the city of Washington, D.C. was published by John Reid (also referred to as I. Reid) around 1795, during George Washington's presidency. Though President Washington asked French-born architect Pierre Charles L'Enfant to design the new capital, L'Enfant clashed with many important stakeholders, including Thomas Jefferson, and eventually resigned his position. City planners consequently implemented the plan of surveyor Andrew Ellicott, depicted in this map. Ellicott's design very closely mirrored that of his predecessor, but L'Enfant did not receive any credit or payment for his contribution. Renewed interest in beautifying the nation's capital in the early 20th century, however, led to the revitalization of L'Enfant's vision, especially his plan for a "public walk," which became the National Mall.

This official portrait of President Barack Obama was painted by Robert McCurdy in 2018. Prior to his election to the presidency, Obama served as a United States senator from Illinois. On January 20, 2009, he became the first African American president and served two terms from 2009 to 2017. Both portraits of President Barack Obama and First Lady Michelle Obama were unveiled in a ceremony in the East Room of the White House on September 7, 2022.

This official portrait of First Lady Michelle Obama was painted by Sharon Sprung in 2018. A Chicago native, Obama earned degrees from Princeton University and Harvard Law School. Her husband, Barack Obama, served as president from January 20, 2009 until January 20, 2017. As first lady, Michelle Obama pursued initiatives focused on childhood obesity and healthy eating, support for service members and their families, and opportunity in education. Both portraits of President Barack Obama and First Lady Michelle Obama were unveiled in a ceremony in the East Room of the White House on September 7, 2022.

This painting is attributed to William Henry Powell (sometimes known as W.H. Powell), who was a New York City painter and trained under Henry Inman. The painting depicts a group of settlers and their horses around a covered wagon. An American Indian man is in the center of the group and pointing off into the distance, suggesting he is providing directions to the seated figure looking at a map. Powell's "Discovery of the Mississippi by De Soto A.D. 1541" hangs in the United States Capitol Rotunda.

This photograph of a pier table by Parisian cabinetmaker Pierre-Antoine Bellangé was taken by Robert L. Knudsen on April 7, 1961 in a storage area within the White House. The table was missing its marble top and glass mirror. It was restored to the French Empire style and moved to the Blue Room during the restoration of the White House overseen by First Lady Jacqueline Kennedy. The table formed part of a suite ordered for the Blue Room by President James Monroe in 1817.

This photo of the installation of a new marble mantel in the State Dining Room was taken by Robert L. Knudsen on June 25, 1962, during the John F. Kennedy administration. The mantel was a joint gift of the architecture firm Steinmann, Cain and White, and the Marble Industry Board of New York. The new mantel was installed as part of First Lady Jacqueline Kennedy's restoration program.

This wall clock was custom made by the Chelsea Clock Company of Chelsea, Massachusetts in 2020 and was a gift of the White House Historical Association to the White House Collection. The clock hangs in the Ground Floor Corridor of the White House above the doorway leading to the president’s elevator. The face of the clock features an eagle on the upper half that was inspired by the James Monroe state service. White House calligraphers did the hand-lettering and numbering on the dial including the inscription “The President’s House” on the lower half of the clock’s face.

This is the intricately designed trompe-l’oeil marble top of a guéridon, or small table, made by Charles Honoré Lannuier circa 1810. This guéridon (small, circular French table) is made of mahogany, satinwood, rosewood, and possibly sycamore veneers, with gilded brass and marble. The table, a part of the White House Collection, also features an intricate Italian marble top and is considered a Lannuier masterpiece.