This is a composite and hero image for the digital exhibit titled, "Suited to Lead: The Lives of Six Presidents Through Fashion", curated by Fiona Hibbard. "Suited to Lead" considers how dress functioned as a tool of self-expression for these presidents, and how their choices in dress reflected their preferences, societal expectations, as well as their position. The digital exhibit explores dress before, during, and after the presidencies of six American presidents. The composite is made of the portraits of the six presidents featured in the exhibit, clockwise from the far left: Theodore Roosevelt, Jimmy Carter, George Washington, Abraham Lincoln, Harry S. Truman, and John Quincy Adams. It may only be used for press and publicity purposes related to the exhibit. All other uses must be approved by the White House Historical Association in writing.

This lithograph of President Abraham Lincoln was created by Currier & Ives Lithography Company circa 1860-1861. In late 1860, Abraham Lincoln began growing a beard, and was the first United States president to do so. After his first election, he reportedly received a letter from an eleven-year-old fan, Grace Bedell, who suggested that growing facial hair might improve his appearance. In his reply to this letter, President Lincoln wrote, “As to the whiskers, having never worn any, do you not think people would call it a piece of silly affectation if I were to begin wearing them now? Your very sincere well-wisher," A. LINCOLN."” By 1861, Lincoln’s beard appeared in portraits, paintings, and photographs, and would remain a style that he maintained for the remainder of his life. Lincoln became president on March 4, 1861 and had earlier served in the House of Representatives.

This pastel on vellum portrait of future president John Quincy Adams was created by Izaak Schmidt in 1783. Beginning in 1779, John Quincy Adams kept a detailed diary, recording his daily activities in Europe. Though he occasionally mentioned his dress in passing, he provided little description, focusing instead on his studies and travels. In 1783, while staying in The Hague, Adams sat for a portrait. This painting reflects how his style as a young man was influenced by the prevailing fashions of France and Great Britain. He is depicted wearing a slim-fitting frock coat with a wide, turned-down collar, a colorful waistcoat (possibly embroidered), and powdered hair; styles that were popular at the time among young men in Western Europe. John Quincy Adams was the son of President John Adams and First Lady Abigail Adams. Prior to his presidency, President Adams was a diplomat to the Netherlands, Prussia, Russia, and the United Kingdom. He served as Secretary of State under President James Monroe and is the only president who went on to serve in the United States House of Representatives after being president. Adams represented his home state, Massachusetts, in the House.

This ink on paper silhouette portrait of future president John Quincy Adams was created by Henry Williams (professionally knowns as H. Williams) in 1809 and depicts Adams wearing a top hat. Adams was an early adopter of the top hat, despite its decline in popularity in the late 1700s. By the early 1800s, top hats served as a sign of status, and fashionable men would not have been seen in public without the latest hat style. While Adams is not usually pictured wearing a hat in his portraits, in this 1809 silhouette, his top hat is in the popular fashion of the time, around six or seven inches tall, with a narrow brim curving downward at the front and back. Silhouette portraits were fashionable and readily available throughout Europe and the United States in the 1800s. John Quincy Adams was the son of President John Adams and First Lady Abigail Adams. Prior to his presidency, President Adams was a diplomat to the Netherlands, Prussia, Russia, and the United Kingdom. He served as Secretary of State under President James Monroe and is the only president who went on to serve in the United States House of Representatives after being president. Adams represented his home state, Massachusetts, in the House.

This hand-colored lithograph by Currier & Ives was published in 1876 and depicts the Inauguration of President George Washington. Eleven men are depicted witnessing Washington taking the Oath of Office. He places his right hand on an open bible and holds a sword with his left hand. Figures noted in the key below the image include Alexander Hamilton, Chancellor Robert R. Livingston, Roger Sherman, Mr. Otis, John Adams, Baron Friedrich Wilhelm Steuben, and General Henry Knox. Washington served as the Commander in Chief of the Continental Army during the American Revolution. He served as president from April 30, 1789 until March 4, 1797.

This painting by John Trumbull depicts the surrender of General Cornwallis at Yorktown, marking the end of the Revolutionary War. The defeated British army marches between the Americans on the right, led by General George Washington, and the French on the left, led by General Jean-Baptiste Rochambeau. At the center, on horseback, Major General Benjamin Lincoln, Washington’s second-in-command, accepts the official surrender from General Lord Cornwallis’s deputy, General Charles O’Hara. According to historical accounts, Cornwallis had feigned illness on the occasion and passed the responsibility of surrender to O’Hara. Washington, recognizing the snub, directed O’Hara to Major General Lincoln, who accepted O’Hara’s sword and handed it back to him. Trumbull painted the portraits of the French officers directly onto the canvas in Thomas Jefferson’s house in Paris and regarded them as the "best of my small portraits."

This glass locket containing the hair of President Thomas Jefferson and his daughter Martha was acquired for the White House Collection in 1975 during the Gerald R. Ford presidency. The locket is attributed to Fossin et Fils, a prestigious Paris jewelry company that provided goods to King Louis-Philippe of France (1830–1848) as well as other European heads of state, and was produced circa 1825 to 1868.

This punch bowl was created by Tiffany and Company in 1874. The punch bowl features an intricate and realistic design of pine needles with eagle's heads and talons around the brim of the bowl. The design of the punch bowl is attributed to James H. Whitehouse and Eugene Soligny is attributed with the modeling and chasing. An "M" stamp at the bottom of the bowl indicates the bowl was made under the leadership of Edward C. Moore during his tenure at Tiffany and Company. This piece was donated to the White House Collection in 2005 during the George W. Bush administration.

This bergère by Pierre-Antoine Bellangé of Paris is part of a 53-piece gilded beechwood suite ordered for the Oval Room (later called the Blue Room) by President James Monroe in 1817. A bergère is an armchair with upholstered and enclosed sides. The bergère is one of two made for the president and first lady. The bergère was photographed by Bruce White in the Blue Room of the White House.

This carved and gilded beechwood pier table is of the French Empire style and was manufactured by Pierre-Antoine Bellange of Paris. This table is the only piece of the 53-piece Bellange suite purchased by President James Monroe that has always remained in the White House.

This selection of the 200th anniversary china was made by Lenox China of Trenton, New Jersey. President Bill Clinton and First Lady Hillary Clinton selected a state service with this design to celebrate the White House's 200th anniversary in 2000. Features in the photo from left to right across the back are a dessert plate, dinner plate, service late, fish plate and a salad plate. In front left to right are a cream soup cup and saucer, a teacup and its accompanying saucer.

This tapered form work table is one of only four known nearly identical tables (a second is also present in the White House). Here it is shown with all its drawers and compartments open. Its form and complexity attribute the work to Duncan Phyfe of New York. This desk was made for a variety of tasks including: writing, sewing, or miniature painting. Phyfe was born in Scotland and emigrated to New York in 1784. He became one of the premiere cabinet makers in the United States during the first half of the 19th century, known for blending the previous English Neoclassical and Regency styles together in a distinctive way. Phyfe benefited from his location in New York City on Fulton Street, where he was able to ship his furniture out to the southern States and the rich cotton magnates there, as well as to international ports. The table was a gift of the Richard King Mellon Foundation to the White House in 1971.

This scrolled-back armchair was created by A. H. Davenport in 1902 during the Theodore Roosevelt administration. The armchair is one of six chairs ordered for the Green Room of the White House. The seats and backs were upholstered in tapestry fabric, making them the most expensive type of armchairs in the Green Room. The chairs were originally painted white but were later gilded in the 1930s.

This tall case clock by E. Howard Watch and Clock Company of Boston, Massachusetts was purchased for the White House in 1882 during the Chester A. Arthur administration. The clock was originally placed in the Cross Hall on the State Floor of the White House, where it remained until the 1930s when it was moved around to a number of rooms on the Ground Floor until 2003. President Arthur added a number of furnishings to the White House during his time office, though this clock was one of the few items to survive the 1902 White House renovation.

This silver sugar bowl, hot water urn, and kettle on a stand were part of a 12-piece service made for President Millard Fillmore and his wife, First Lady Abigail Fillmore, by the renowned New York firm Wood & Hughes. They purchased the service, which is engraved with their names, circa 1858, after Fillmore left office. Mrs. Fillmore used the proceeds from the sale of a horse and carriage in 1850 to purchase the set. The urn was acquired for the White House by the White House Historical Association in 1973.

These French porcelain serving pieces, including a dinner dish, vegetable dish, soup plate, dessert stand, fruit basket, and dessert plate, were made for the White House by Edouard D. Honoré of Paris in 1846. President James K. Polk ordered this pattern for the state service. The pieces feature gilded rims molded in a scroll design and light green details, as well as a version of the shield from the Great Seal of the United States, although this one contains stars in the chief which are not present on the Great Seal or Presidential Seal, and the scroll containing the motto "E Pluribus Unum." The dessert plates also included a large, hand-painted flower.

This silver wine cooler was made by French silversmith Jean-Baptiste-Claude Odiot between 1798 and 1809. James Monroe, who served as president from 1817 to 1825, owned the wine cooler, and later sold it to the government for use at the White House. The wine cooler is engraved with the words "President's House" and features sculptural elements, a hallmark of Odiot's work.

This gilded bronze and mirrored plateau or centerpiece was made by the Parisian firm Denière et Matelin circa 1817, during James Monroe's presidency. Elements of the plateau may have been based on designs by the famed French architects Charles Percier and Pierre Fontaine, who completed many commissions for Napoleon. Visitors marveled over the elegant piece, shown here in the White House State Dining Room.

This walnut, brass, and ivory medicine chest was taken from the White House during the fire of August 24, 1814 and given to President Franklin D. Roosevelt by a descendant of Thomas Kains, a British naval officer who was part of the party that burned the White House down during the Invasion of Washington during the War of 1812. Bruce White photographed the medicine chest opened in 2023. To see the chest closed, see asset ID 1137880.

This walnut, brass, and ivory medicine chest was taken from the White House during the fire of August 24, 1814 and given to President Franklin D. Roosevelt by a descendant of Thomas Kains, a British naval officer who was part of the party that burned the White House down during the Invasion of Washington during the War of 1812. Bruce White photographed the medicine chest closed in 2023. To see the chest opened, see asset ID 1137879.

This miniature watercolor on ivory portrait of William Thornton was created by Robert Field circa 1800. Dr. William Thornton was born in the British West Indies in 1759 and gained U.S. citizenship in 1787. Thornton moved to Washington, D.C. after President George Washington chose his design for the U.S. Capitol building and appointed him a city commissioner. Considered the "first architect of the Capitol," Thornton held the role of head of the Patent Office from 1802 until his death in 1828. William Thornton and the creator, Robert Field, were acquaintances. This portrait is a part of the White House Collection.

This engraving of the capture of Washington, D.C. during the War of 1812 was created by London printers J and J Cundee in 1815 and used as an illustration in an edition of Paul Rapin's multi-volume "History of England." British troops entered and burned the capital, including the White House, on August 24, 1814. Though British forces occupied the city for only a short time, they inflicted serious damage. President James Madison escaped the White House before the attack, but finished out his second term in the nearby Octagon House and a row house in "Six Buildings" complex on Pennsylvania while the White House was rebuilt.

This official portrait of President Barack Obama was painted by Robert McCurdy in 2018. Prior to his election to the presidency, Obama served as a United States senator from Illinois. On January 20, 2009, he became the first African American president and served two terms from 2009 to 2017. Both portraits of President Barack Obama and First Lady Michelle Obama were unveiled in a ceremony in the East Room of the White House on September 7, 2022.

This official portrait of First Lady Michelle Obama was painted by Sharon Sprung in 2018. A Chicago native, Obama earned degrees from Princeton University and Harvard Law School. Her husband, Barack Obama, served as president from January 20, 2009 until January 20, 2017. As first lady, Michelle Obama pursued initiatives focused on childhood obesity and healthy eating, support for service members and their families, and opportunity in education. Both portraits of President Barack Obama and First Lady Michelle Obama were unveiled in a ceremony in the East Room of the White House on September 7, 2022.

This elevation drawing was created by Benjamin Henry Latrobe in 1807. The architectural drawing shows an east view of the White House, with guests entering and departing the house from the proposed North and South Porticos. The North and South Porticos were not part of James Hoban's original 1792 design for the White House. Although this drawing anticipates the prominent use of columns on the North Portico (completed ca. 1829-1820) and South Portico (completed 1824), it does not reflect the appearance of the North and South Porticos as they were constructed.