This miniature watercolor on ivory portrait of William Thornton was created by Robert Field circa 1800. Dr. William Thornton was born in the British West Indies in 1759 and gained U.S. citizenship in 1787. Thornton moved to Washington, D.C. after President George Washington chose his design for the U.S. Capitol building and appointed him a city commissioner. Considered the "first architect of the Capitol," Thornton held the role of head of the Patent Office from 1802 until his death in 1828. William Thornton and the creator, Robert Field, were acquaintances. This portrait is a part of the White House Collection.

This composite features pieces from the White House Collection. This image was featured in the exhibition entitled "Slavery and Freedom in the White House Collection". It may only be used for press and publicity purposes related to the exhibit. All other uses must be approved by the White House Historical Association in writing.

This composite features pieces from the White House Collection. This image was featured in the exhibition entitled "Slavery and Freedom in the White House Collection". It may only be used for press and publicity purposes related to the exhibit. All other uses must be approved by the White House Historical Association in writing.

This painting is attributed to William Henry Powell (sometimes known as W.H. Powell), who was a New York City painter and trained under Henry Inman. The painting depicts a group of settlers and their horses around a covered wagon. An American Indian man is in the center of the group and pointing off into the distance, suggesting he is providing directions to the seated figure looking at a map. Powell's "Discovery of the Mississippi by De Soto A.D. 1541" hangs in the United States Capitol Rotunda.

This portrait of Jane Irwin Harrison by an unknown artist was completed c. 1841–42. Jane Findlay Irwin Harrison served as the official White House hostess briefly in 1841, during father-in-law President William Henry Harrison’s administration. She had lived with her in-laws following the death of her husband, William Henry Harrison Jr., and accompanied the president-elect to Washington, D.C. There, she received glowing reviews for the two receptions that she hosted with the help of her aunt, Jane Irwin Findlay. Her time as de-facto first lady was cut short, however, when President Harrison died on April 4, 1841, after only a month in office. With flowers placed at each ear and a veil pulled back from her face, this portrait was probably made to celebrate Jane Harrison’s second marriage, to widower Lewis Whiteman, following her return to North Bend, Ohio. Just a few years later, she succumbed to tuberculosis at age 42.

This is a portrait of First Lady Anna Tuthill Symmes Harrison, dressed in mourning was painted by an unknown artist, ca. 1820. Anna Tuthill Symmes Harrison was married to President William Henry Harrison and was the grandmother of President Benjamin Harrison. Mrs. Harrison was 65 years old when her husband was elected president making her, at the time, the oldest woman to become first lady. When President Harrison was inaugurated in March of 1841, Mrs. Harrison remained in Ohio due to poor health. She had temporarily placed her widowed daughter-in-law Jane Irwin Harrison in charge of being the hostess. Mrs. Harrison did not recover in time to reside in the White House before President Harrison passed away a month after his inauguration.

This photograph, taken by Robert L. Knudsen on August 28, 1963, shows the southeast corner of the Center Hall on the Second Floor of the White House after its redecoration during the John F. Kennedy administration. On the wall hang a series of portraits of American Indians by American author and artist George Catlin borrowed by First Lady Jacqueline Kennedy from the National Gallery of Art. Also visible is a baby grand piano previously owned by President Henry S. Truman, and half of a Chinese Coromandel screen first loaned and subsequently given to the White House by Mrs. Boyd Hatch in 1961. Like the nearby East and West Sitting Halls, this space was redecorated by First Lady Jacqueline Kennedy. Interior designer Sister Parish envisioned the design concept for the space, while furniture was acquired under the guidance of Henry Francis du Pont and arranged by interior designer Stéphane Boudin. The Center Hall traverses the length of the Second Floor from the east to the west ends of the Executive Mansion, much like the Cross Hall and the Ground Floor Corridor on the two floors below it. The Center Hall serves as the lifeline of the first family’s residence, leading off into the Lincoln Bedroom, the Yellow Oval Room, and the Treaty Room, among others.

This photograph, taken by Robert L. Knudsen on August 28, 1963, shows the Center Hall on the Second Floor of the White House after its redecoration during the John F. Kennedy administration. On the wall hang a series of portraits of American Indians by American author and artist George Catlin borrowed by First Lady Jacqueline Kennedy from the National Gallery of Art. The portraits hang on either side of a doorway to the bedroom for the president and first lady's children, Caroline and John Jr. Like the nearby East and West Sitting Halls, this space was redecorated by First Lady Jacqueline Kennedy. Interior designer Sister Parish envisioned the design concept for the space, while furniture was acquired under the guidance of Henry Francis du Pont and arranged by interior designer Stéphane Boudin. The Center Hall traverses the length of the Second Floor from the east to the west ends of the Executive Mansion, much like the Cross Hall and the Ground Floor Corridor. The Center Hall serves as the lifeline of the first family’s residence, leading off into the Lincoln Bedroom, the Yellow Oval Room, and the Treaty Room, among others.

This photograph, taken by Robert L. Knudsen on August 28, 1963, shows the Center Hall on the Second Floor of the White House after its redecoration during the John F. Kennedy administration. On the wall hang a series of portraits of American Indians by American author and artist George Catlin borrowed by First Lady Jacqueline Kennedy from the National Gallery of Art. Beneath the paintings is a Federal sofa, on loan and attributed to Samuel McIntire. Like the nearby East and West Sitting Halls, this space was redecorated by First Lady Jacqueline Kennedy. Interior designer Sister Parish envisioned the design concept for the space, while furniture was acquired under the guidance of Henry Francis du Pont and arranged by interior designer Stéphane Boudin. The Center Hall traverses the length of the Second Floor from the east to the west ends of the Executive Mansion, much like the Cross Hall and the Ground Floor Corridor on the floors below it. The Center Hall serves as the lifeline of the first family’s residence, leading off into the Lincoln Bedroom, the Yellow Oval Room, and the Treaty Room, among others.

This detail of the Red Room was taken in 2009 by Bruce White. In this shot are a guéridon (small, circular French table) made by Charles Honoré Lannuier, an American Empire style sofa, and Thomas Moran's 1895 painting "The Three Tetons". The Red Room is located on the State Floor of the Executive Mansion. The room was first decorated with red fabrics during the James K. Polk administration in 1845. The space is often filled with furnishings in the American “Empire” or “Grecian” style. The parlor has been used for intimate receptions, teas, and meetings.

This photograph of White House curator Lorraine Waxman Pearce was taken by Robert L. Knudsen on June 28, 1961, during the John F. Kennedy administration. The curator was on hand to accept the a noteworthy painting of a Hartford, Connecticut family. Donated by the E. and A. Silberman Galleries, this important acquisition was hung in the Lincoln Bedroom, enhancing its Victorian period decor. This painting by an unknown artist is a portrait of a family relaxing in their lounge or parlor, circa 1840-1850. Members of the family of five sit about, playing the piano, working on needlepoint, and playing with the family dog. In the back, a young African American girl serves the mother.

In this photograph taken by Robert L. Knudsen, President John F. Kennedy views a newly acquired painting, Dressing Down the Gully by Jack Lorimer Gray, in the Cabinet Room on July 6, 1962. Gray was a Canadian artist known for his maritime paintings. The Cabinet Room is located in the West Wing.

This painting of Decaur House was created by E. Vaile in June 1822. A man stands at the door, as a carriage approaches. Completed in 1818, Decatur House was the third building on Lafayette Square and its first private residence. Decatur House was designed by Benjamin Henry Latrobe, the architect of the Capitol and several other famous buildings, for Commodore Stephen Decatur and his wife, Susan. Tragically, in 1820 Stephen Decatur was mortally wounded during a duel and his widow Susan subsequently rented out the house to foreign ministers and several secretaries of state. The house was eventually sold and passed through several hands, including the Gadsby family, the U.S. Subsistence Bureau, and the Beale family. Marie Ogle Beale, a society maven and the last owner left the house to National Trust for Historic Preservation in 1961. In 2010, the White House Historical Association and National Trust entered into co-stewardship arrangement and the house now serves as the David M. Rubenstein National Center for White House History.

This photograph is of guests viewing "Royal Game I" by Louise Nevelson, which was installed in the East Colonnade for the White House Festival of the Arts. On June 14, 1965 over 300 guests attended the Festival of the Arts to honor contemporary American artistic achievement. 65 works of art borrowed from 39 museums across the country were displayed in the East Wing and Jacqueline Kennedy Garden. The 14-hour event also featured a photography exhibition in the Vermeil Room, a film screening in the State Dining Room, and a variety of performances in the East Room, State Dining Room, and the South Lawn including Duke Ellington, the Robert Joffrey Ballet, and the Louisville Orchestra.

This photograph of the president’s bedroom, looking toward the south wall, was taken by Robert L. Knudsen on May 3, 1962, during the John F. Kennedy administration. The first major piece of fine furniture donated to the White House during First Lady Jacqueline Kennedy’s restoration, an 18th-century Philadelphia tall chest, can be seen at the center. Above the chest is one of two Childe Hassam Flag Day paintings displayed in the room.

This photograph of the doorway to the Yellow Oval Room as seen from the Second Floor Center Hall was taken by Robert L. Knudsen on May 8, 1962, during the John F. Kennedy administration. Visible are George Catlin’s paintings of Native Americans, borrowed by First Lady Jacqueline Kennedy from the National Gallery of Art. Also shown are a settee and two chairs from the suite of Philadelphia seating furniture donated by the Americana Foundation. The Center Hall is located on the Second Floor of the Executive Mansion and connects the East and West Sitting Halls. The West Sitting Hall is recognized for its grand, arched window and serves as a comfortable and quiet location for the first family to relax.

This photograph of Caroline Kennedy's bedroom was taken by Robert L. Knudsen on May 9, 1962. Caroline Kennedy was the eldest child of President John F. Kennedy and First Lady Jacqueline Kennedy. She was just three years old when her father was sworn into office. Her bedroom was decorated with the painting "Fourth of July" by folk artist Grandma Moses and was designed by Sister Parish, a socialite and interior decorator.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

This photograph of holiday decorations on display in the China Room was taken by Matthew D'Agostino on November 30, 2020 during a press preview of the White House holiday decorations. Stockings are hung on the mantel; the 1892 painting "The Farm Landing" by Edward Mitchell Bannister is displayed above. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

This photograph of holiday decorations on display in the China Room was taken by Matthew D'Agostino on November 30, 2020 during a press preview of the White House holiday decorations. Stockings are hung on the mantel; the 1892 painting "The Farm Landing" by Edward Mitchell Bannister is displayed above. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

Titled "Resurrection," this acrylic and graphite on canvas painting was done by Alma Thomas in 1966, who was an educator and artist in Washington, D.C. for most of her career. She was a member of the Washington Color School. This painting was unveiled as part of the White House Collection during Black History Month 2015 and is the first in this collection by an African American woman. This photograph shows the painting on display in the Vermeil Room, during a press preview of the White House holiday decorations on November 30, 2020. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

This photograph of holiday decorations on display in the China Room was taken by Matthew D'Agostino on November 30, 2020 during a press preview of the White House holiday decorations. Stockings are hung on the mantel; the 1892 painting "The Farm Landing" by Edward Mitchell Bannister is displayed above. The holiday theme for 2020 was “America the Beautiful,” which celebrated the natural wonders of the American landscape. Selected by First Lady Melania Trump, the White House decorations also paid tribute to the courage and resilience of frontline workers, members of the military, and other American heroes. In 2020, American frontline and essential workers faced unique challenges due to the COVID-19 pandemic.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a pheasant among flowering branches. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.

This is a kakemono panel (also known as a vertical hanging scroll) containing either text or a painting, intended to be viewed on a wall and rolled when not in use. It was created in 1872 by the artist Utagawa Kunitsuru and depicts a woman holding a parasol during a gentle snowfall. This is one of a set of six paintings displayed in the dining room of Decatur House and remain a part of the Decatur House Collection. After nearly 150 years, they began to deteriorate, but with funding provided by the Sumitomo Foundation, they were conserved to their original state.