This bergère by Pierre-Antoine Bellangé of Paris is part of a 53-piece gilded beechwood suite ordered for the Oval Room (later called the Blue Room) by President James Monroe in 1817. A bergère is an armchair with upholstered and enclosed sides. The bergère is one of two made for the president and first lady. The bergère was photographed by Bruce White in the Blue Room of the White House.

This gilded bronze and mirrored plateau or centerpiece was made by the Parisian firm Denière et Matelin circa 1817, during James Monroe's presidency. Elements of the plateau may have been based on designs by the famed French architects Charles Percier and Pierre Fontaine, who completed many commissions for Napoleon. Visitors marveled over the elegant piece, shown here in the White House State Dining Room.

This is the interior of a Christmas card that was presented to White House Executive Chef Henry Haller from First Lady Lady Bird Johnson and President Lyndon B. Johnson in December 1967. This was Haller's second Christmas at the White House, though he was to remain executive chef until 1987. The card features an illustration by Robert Laessig of the official White House Christmas tree, positioned in its traditional spot in the center of the Blue Room. The back of the card discusses the tradition of Christmas trees in the White House. To view the card in its entirety, see 1128401. This card is part of a personal collection belonging to Chef Haller. In the position, Haller served five first families and their distinguished guests from 1966-1987.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This photograph, taken in December 1971, shows the 18th century crèche (or nativity scene) on display in the East Room during the Richard M. Nixon administration. The crèche was donated to the White House Collection by Mrs. Charles W. Engelhard, Jr. of Far Hills, New Jersey in 1967. The donation included 39 hand-painted figurines. The 14 foot tall crèche setting display was built by Tony Award-winning stage designer Donald Oenslager, with mechanisms for annual disassembly.

This mahogany mirrored wall sconce was likely created by American craftsman Samuel McIntire around 1800. McIntire is attributed with creating this sconce, and it's twin, due to the skilled craftsmanship and design. The sconce is seen here on the west wall of the Green Room, in a photograph by Nelson Brown, Victor Boswell, and Robert S. Oakes in January 1972, during the administration of Richard M. Nixon.

This mahogany mirrored wall sconce was likely created by American craftsman Samuel McIntire around 1800. McIntire is attributed with creating this sconce, and it's twin, due to the skilled craftsmanship and design. The sconce is seen here on the west wall of the Green Room, in a photograph by Nelson Brown, Victor Boswell, and Robert S. Oakes in January 1972, during the administration of Richard M. Nixon.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This convex girandole mirror with wall sconces was made circa 1820 in New York. The wooden frame features carvings of a large American eagle at the top and a smaller British lion at the base. The wood has been gilded with two candle sconces on either end of the base. The creator is unknown. The girandole is captured in the Green Room in a photograph taken in January 1972 by Nelson Brown, Victor Boswell, and Robert S. Oakes during the administration of Richard M. Nixon. It was added to the White House Collection in 1971.

This 19th century mirror was donated to the White House Collection in 1962 during the John F. Kennedy administration. The convex gilt mirror was made in the Federal style and features a carved bald eagle above the mirror glass. The piece was likely made in New York. Joseph J. Scherschel photographed the mirror in August 1965 in the Family Dining Room, seen reflected in the mirror. At the time, the mirror hung above the room's green and white marble mantelpiece.

This 19th century mirror was donated to the White House Collection in 1962 during the John F. Kennedy administration. The convex gilt mirror was made in the Federal style and features a carved bald eagle above the mirror glass. The piece was likely made in New York. Joseph J. Scherschel photographed the mirror in August 1965 in the Family Dining Room, seen reflected in the mirror. At the time, the mirror hung above the room's green and white marble mantelpiece.

This convex mirror, made in the early 19th century, remains a part of the White House furnishings. In this photograph, the mirror is hanging in the Red Room and reflects the furnishings and fireplace in the ornate room during the John F. Kennedy administration.

This photograph of a circular mirror with a decorative eagle in the Red Room was shot in such a way that a reflection of the room's furnishings are displayed. The photograph was taken by George Mobley of the National Geographic Service.

This detailed photograph of a gilded bronze mantel clock was taken by Matthew D'Agostino on February 10, 2014 during the Barack Obama administration. The case of this clock was made by Denière et Matelin of Paris with Hannibal, the Carthaginian military commander and a famed war strategist of the ancient world, standing beside the clock housing. This photograph was taken during a press preview held that day to showcase the decor and menu ahead of a State Dinner hosted by President Obama for President François Hollande of the French Republic, including a look at the French influences in the White House rooms and fine and decorative arts in the White House Collection, including this piece.

This photograph of a piece of silver or vermeil from the White House Collection was taken by Matthew D'Agostino in the Blue Room on February 10, 2014 during the Barack Obama administration. This photograph was taken during a press preview held that day to showcase the decor and menu ahead of a State Dinner hosted by President Barack Obama for President François Hollande of the French Republic, including a look at the French influences in the White House rooms and fine and decorative arts in the White House Collection. Among pieces on display in the Blue Room was this container.

This photograph of a piece of silver or vermeil from the White House Collection was taken by Matthew D'Agostino in the Blue Room on February 10, 2014 during the Barack Obama administration. This photograph was taken during a press preview held that day to showcase the decor and menu ahead of a State Dinner hosted by President Barack Obama for President François Hollande of the French Republic, including a look at the French influences in the White House rooms and fine and decorative arts in the White House Collection. Among pieces on display in the Blue Room was this vase.

This detailed photograph of a gilded bronze mantel clock was taken by Matthew D'Agostino on February 10, 2014 during the Barack Obama administration. The case of this clock was made by Denière et Matelin of Paris with Hannibal, the Carthaginian military commander and a famed war strategist of the ancient world, standing beside the clock housing. This photograph was taken during a press preview held that day to showcase the decor and menu ahead of a State Dinner hosted by President Obama for President François Hollande of the French Republic, including a look at the French influences in the White House rooms and fine and decorative arts in the White House Collection, including this piece.