This portrait by Charles Willson Peale is of architect Benjamin Henry Latrobe. President Thomas Jefferson appointed Latrobe Surveyor of Public Buildings in 1803. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Peale was a soldier and inventor as well as an artist and created many portraits of Revolutionary War era figures. His younger brother, James, and his son Rubens, each have pieces in the White House Collection. Joseph H. Bailey photographed the portrait for the White House Historical Association's records and publications in January 1975.

This portrait by Charles Willson Peale is of architect Benjamin Henry Latrobe. President Thomas Jefferson appointed Latrobe Surveyor of Public Buildings in 1803. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Peale was a soldier and inventor as well as an artist and created many portraits of Revolutionary War era figures. His younger brother, James, and his son Rubens, each have pieces in the White House Collection. Joseph H. Bailey photographed the portrait for the White House Historical Association's records and publications in January 1975.

This portrait by Charles Willson Peale is of architect Benjamin Henry Latrobe. President Thomas Jefferson appointed Latrobe Surveyor of Public Buildings in 1803. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Peale was a soldier and inventor as well as an artist and created many portraits of Revolutionary War era figures. His younger brother, James, and his son Rubens, each have pieces in the White House Collection. Joseph H. Bailey photographed the portrait for the White House Historical Association's records and publications in January 1975.

This portrait by Charles Willson Peale is of architect Benjamin Henry Latrobe. President Thomas Jefferson appointed Latrobe Surveyor of Public Buildings in 1803. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Peale was a soldier and inventor as well as an artist and created many portraits of Revolutionary War era figures. His younger brother, James, and his son Rubens, each have pieces in the White House Collection. Joseph H. Bailey photographed the portrait for the White House Historical Association's records and publications in January 1975.

This portrait by Charles Willson Peale is of architect Benjamin Henry Latrobe. President Thomas Jefferson appointed Latrobe Surveyor of Public Buildings in 1803. Latrobe is best known as the architect who designed the U.S. Capitol, St. John's Church and Decatur House in Lafayette Square, the White House East and West Terraces, and the Madison state rooms. He was also the chief engineer for the U.S. Navy. Peale was a soldier and inventor as well as an artist and created many portraits of Revolutionary War era figures. His younger brother, James, and his son Rubens, each have pieces in the White House Collection. Joseph H. Bailey photographed the portrait for the White House Historical Association's records and publications in January 1975.

This marble bust of President George Washington is by Italian sculptor Giuseppe Ceracchi. Ceracchi sculpted many notable Americans, including Thomas Jefferson and Alexander Hamilton. This bust was modeled circa 1790-1794 and was carved circa 1815. The United States government acquired the bust along with busts of Amerigo Vespucci and Christopher Columbus during the James Monroe administration in 1817. Washington served as the commander in chief of the Continental Army during the American Revolution. He served as president from April 30, 1789 until March 4, 1797. Bates Littlehales photographed the bust in March 1962 during the John F. Kennedy administration.

This marble bust of President George Washington is by Italian sculptor Giuseppe Ceracchi. Ceracchi sculpted many notable Americans, including Thomas Jefferson and Alexander Hamilton. This bust was modeled circa 1790-1794 and was carved circa 1815. The United States government acquired the bust along with busts of Amerigo Vespucci and Christopher Columbus during the James Monroe administration in 1817. Washington served as the commander in chief of the Continental Army during the American Revolution. He served as president from April 30, 1789 until March 4, 1797. Bates Littlehales photographed the bust in March 1962 during the John F. Kennedy administration.

This oval-shaped landscape of Niagara Falls, New York was painted by John Frederick Kensett circa 1852-1854. Niagara Falls is painted from a distance with a high rising cloud of mist rising in the center of the painting. Born in Connecticut, Kensett was known for his paintings of New York and New England and his works are associated with the Luminist style, an offshoot of the Hudson River School. Kensett was one of the founding members of the Metropolitan Museum of Art. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This oval-shaped landscape of Niagara Falls, New York was painted by John Frederick Kensett circa 1852-1854. Niagara Falls is painted from a distance with a high rising cloud of mist rising in the center of the painting. Born in Connecticut, Kensett was known for his paintings of New York and New England and his works are associated with the Luminist style, an offshoot of the Hudson River School. Kensett was one of the founding members of the Metropolitan Museum of Art. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This seascape of ships and boats crossing the rough current of the Delaware River was painted by Thomas Birch in 1828. The small rowboats are possibly harbor pilots who would help larger vessels navigate the Delaware River and Delaware Bay. It is likely this seascape takes place in Lewes, Delaware near Cape Henlopen due to the presence of these harbor pilots. Birch was born in Britain and came to the United States in 1794. He primarily worked in portraits and marine paintings. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This oval-shaped landscape of Niagara Falls, New York was painted by John Frederick Kensett circa 1852-1854. Niagara Falls is painted from a distance with a high rising cloud of mist rising in the center of the painting. Born in Connecticut, Kensett was known for his paintings of New York and New England and his works are associated with the Luminist style, an offshoot of the Hudson River School. Kensett was one of the founding members of the Metropolitan Museum of Art. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This still life by American artist Rubens Peale was painted circa 1862. The oil on canvas still life captures an array of grapes, melon, and peaches or apples strewn across a tabletop along with a white cloth. Peale was the son of Charles Willson Peale, whose portrait of Benjamin Henry Latrobe is in the White House Collection, and the nephew of James Peale, who also has two still lifes in the White House Collection. Bates Littlehales photographed the painting in March 1962 during the John F. Kennedy administration.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This still life by American artist Rubens Peale was painted circa 1862. The oil on canvas still life captures an array of grapes, melon, and peaches or apples strewn across a tabletop along with a white cloth. Peale was the son of Charles Willson Peale, whose portrait of Benjamin Henry Latrobe is in the White House Collection, and the nephew of James Peale, who also has two still lifes in the White House Collection. Bates Littlehales photographed the painting in March 1962 during the John F. Kennedy administration.

This seascape of ships and boats crossing the rough current of the Delaware River was painted by Thomas Birch in 1828. The small rowboats are possibly harbor pilots who would help larger vessels navigate the Delaware River and Delaware Bay. It is likely this seascape takes place in Lewes, Delaware near Cape Henlopen due to the presence of these harbor pilots. Birch was born in Britain and came to the United States in 1794. He primarily worked in portraits and marine paintings. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This 1851 still life by Severin Roesen captures a tabletop with an overabundance of fruit strewn across several pieces of china and tiered stands. There is also a glass goblet filled with white wine, a canary, and fruit ranging from grapes to apples to lemons to cherries. The German-born Roesen immigrated to the United States in 1848 and was a prolific painter of still lifes such as this one. Three of his still lifes are in the White House Collection. Bates Littlehales photographed this painting in March 1962 during the John F. Kennedy administration.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This 1851 still life by Severin Roesen captures a tabletop with an overabundance of fruit strewn across several pieces of china and tiered stands. There is also a glass goblet filled with white wine, a canary, and fruit ranging from grapes to apples to lemons to cherries. The German-born Roesen immigrated to the United States in 1848 and was a prolific painter of still lifes such as this one. Three of his still lifes are in the White House Collection. Bates Littlehales photographed this painting in March 1962 during the John F. Kennedy administration.

This 1851 still life by Severin Roesen captures a tabletop with an overabundance of fruit strewn across several pieces of china and tiered stands. There is also a glass goblet filled with white wine, a canary, and fruit ranging from grapes to apples to lemons to cherries. The German-born Roesen immigrated to the United States in 1848 and was a prolific painter of still lifes such as this one. Three of his still lifes are in the White House Collection. Bates Littlehales photographed this painting in March 1962 during the John F. Kennedy administration.

This 1851 still life by Severin Roesen captures a tabletop with an overabundance of fruit strewn across several pieces of china and tiered stands. There is also a glass goblet filled with white wine, a canary, and fruit ranging from grapes to apples to lemons to cherries. The German-born Roesen immigrated to the United States in 1848 and was a prolific painter of still lifes such as this one. Three of his still lifes are in the White House Collection. Bates Littlehales photographed this painting in March 1962 during the John F. Kennedy administration.

This pencil drawing by French painter Jean-Honoré Fragonard was completed circa 1778. Fragonard completed the drawing while Benjamin Franklin was serving as a United States envoy in France. Franklin was a renowned author, inventor, and philosopher who was also one of the signers of the Declaration of Independence and the Constitution. The Franklin figure is seated and wearing Roman-style robes and a laurel wreath, with female figures surrounding him. Male figures, in similar classical attire, fight before him. The sketch was made quickly while Franklin was visiting the Louvre. From the drawing, an etching and aquatint were created by Jean-Honoré Fragonard's sister-in-law Marguerite Gérard. This was the first major acquisition by the White House Fine Arts Committee during the John F. Kennedy administration. Bates Littlehales photographed the drawing in March 1962, also during the Kennedy administration.

This portrait of Benjamin Franklin by artist Benjamin Wilson was displayed in the Roosevelt Room during the John F. Kennedy administration. Wilson's portrait is the earliest of the three portraits of Franklin in the White House Collection. Franklin was a renowned author, inventor and philosopher who was also one of the signers of the Declaration of Independence and the Constitution. He also served as the representative of the United States in France during the Revolutionary War. Franklin commissioned the portrait in 1758 while he was in London to argue for the right to tax the Penn family estate. Until the American Revolution, the painting hung in Franklin's Philadelphia home. However, while Franklin was in France, the home was occupied by British troops and one of them took the portrait when they left. It was returned to the United States via President Theodore Roosevelt by Albert Henry, the fourth Earl Grey in 1906, the bicentennial of Franklin's birth. In addition to being a painter, Wilson was an inventor who worked with electricity, much as Franklin did. This may account for the lightning bolt visible in the background of the portrait.